000 | 03172cam a22003377i 4500 | ||
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001 | 19553731 | ||
003 | OSt | ||
005 | 20211230154009.0 | ||
008 | 170315t20162016gw ac bc 000 0dger d | ||
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_a9783791355306 _qhardback |
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_aEQO _beng _erda _cEQO _dJPG _dOCLCO _dOCLCF _dOCLCO _dZCU _dOCL _dOCLCO _dNMWMA _dIXA _dOHX _dBTCTA _dYDXCP _dBDX _dERASA _dSTF _dYDX _dWAU _dUBY _dOCLCO _dNGA _dDLC |
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_ager _aeng |
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100 | 1 |
_aBertlmann, Renate, _eartist. |
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_aRenate Bertlmann : _bworks 1969-2016 : ein subversives Politprogramm / _cherausgegeben von = edited by Gabriele Schor, Jessica Morgan ; mit beiträgen von = with contributions by Berthold Ecker, Jessica Morgan, Gabriele Schor, Abigail Solomon-Godeau, Katharina Sykora. |
246 | 3 | 0 | _aSubversives Politprogramm |
300 |
_a301 pages : _billustrations (some colour), portraits ; _c29 cm |
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500 | _aPublished to accompany the exhibition "Amo ergo sum : ein subversives Politprogramm" = A subversive political program, Sammlung Verbund, Vienna, 25th February-30 June 2016. | ||
504 | _aIncludes bibliographical references. | ||
505 | 0 | 0 |
_tIntroductory Remarks on the Works of Renate Bertlmann / _rGabriele Schor -- _tObsession, Protest, Spiritualilty. Interview with Renate Bertlmann / _rGabriele Schor -- _tAfter Freud: Members Only / _rJessica Morgan -- _tLaughter in Utopia. The Janus Faces of Renate Bertlmann's Art / _rKatharina Sykora -- _tThe Subversive Bride. A Cultural- and Art-Historical Overview / _rBerthold Ecker -- _tLaughing at the Law: Renate Bertlmann's Theater of the Phallus / _rAbigail Solomon-Godeau. |
520 | _a"Renate Bertlmann is among the most significant artists of the 1970s Feminist Avant-garde. Born in 1943, she lives and works in Vienna. Here, the SAMMLUNG VERBUND, Vienna presents the first comprehensive monograph of her work. The book, created in close collaboration with the artist, is published in both German and English and contains 300 illustrations from a career spanning more than five decades. Bertlmann divides her work into Pornography, Irony and Utopia, with all three areas gathered under the motto AMO EROG SUM (I love, therefore I am). Her work artfully stages the encounter of opposites: female and male, soft and hard, attraction and repulsion, eroticism and asceticism. The essays in the book provide an art historical overview of the motif of the bride, interpret Bertlmann's work in the light of Freudian and Lacanian psychoanalysis, explore themes of skin and touch, and contextualize her work within the broader history of feminism. The volume also contains an extensive interview with the artist, a biographical overview, and an illustrated chronology of her films, performances, and staged photographs"-- | ||
546 | _aText in German and English. | ||
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_aBertlmann, Renate, _vExhibitions. |
648 | 7 |
_a1900-2099 _2fast |
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_aArt, Austrian _y20th century _vExhibitions. |
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650 | 0 |
_aArt, Austrian _y21st century _vExhibitions. |
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650 | 0 |
_aFeminism and art _vExhibitions. |
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700 | 1 |
_aSchor, Gabriele, _eeditor. |
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700 | 1 |
_aMorgan, Jessica, _eeditor. |
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906 |
_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg |
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_2fc _cNFIC |
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_c9957 _d9957 |