000			03589cam a22003258i 4500
001			21420743
003			OSt
005			20220805124015.0
008			200206t20202020nju b s001 0 eng
010			_a 2020004481
020			_a9781978805118 _qpaperback
040			_aDLC _beng _cDLC _erda
042			_apcc
050	0	0	_aPN1995.9.H6 _bW625 2020
082	0	0	_a791.43/6522 _223
245	0	0	_aWomen make horror : _bfilmmaking, feminism, genre / _cedited by Alison Peirse.
260			_aNew Jersey : _bRutger's University Press, _c2020.
300			_a259 pages ; _c24 cm
504			_aIncludes bibliographical references and index.
505	0		_aWomen Make (Write, Produce, Direct, Shoot, Edit and Analyze) Horror / Alison Peirse -- Stephanie Rothman and Vampiric Film Histories / Alicia Kozma -- Inside Karen Arthur's The Mafu Cage / Alexandra Heller-Nicholas -- The Secret beyond the Door: Daria Nicolodi and Suspiria's Multiple Authorship / Martha Shearer -- Personal Trauma Cinema and the Experimental Videos of Cecelia Condit and Ellen Cantor / Katia Houde -- Self-Reflexivity and Feminist Camp in Freddy's Dead: The Final Nightmare / Tosha R. Taylor -- Why Office Killer Matters / Dahlia Schweitzer - Murders and Adaptations: Gender in American Psycho / Laura Mee -- Gender, Genre and Authorship in Ginger Snaps / Katarzyna Paszkiewicz -- The Feminist Art-Horror of the New French Extremity / Maddison McGillvray -- Women-Made Horror in Korean Cinema / Molly Kim --The Stranger with My Face International Film Festival and the Australian Female Gothic / Donna McRae -- Slicing Up the Boys' Club: The Female-Led Horror Anthology Film / Erin Harrington -- The Transnational Gaze in A Girl Walks Home Alone at Night / Lindsey Decker -- Gigi Saul Guerrero and Her Latin American Female Monsters / Valeria Villegas Lindvall -- Uncanny Tales: Lucile Hadžihalilović's Évolution / Janice Loreck -- The (Re)Birth of Pregnancy Horror in Alice Lowe's Prevenge /Amy C. Chambers --The Rise of the Female Horror Filmmaker-Fan / Sonia Lupher.
520			_a"Women Make Horror is the first book-length study of women filmmakers in horror film, the first all-women edited book on horror film, and the first book to call out the male-bias in written histories of horror and then to illuminate precisely how, and where, these histories are lacking. It re-evaluates existing literature on the history of horror film, on women practitioners in the film industry and approaches to undertaking film industries research. It establishes new approaches for studying women practitioners and illuminates their unexamined contribution to the formation and evolution of the horror genre. The book focuses on women directors and screenwriters but also acknowledges the importance of women producers, editors and cinematographers. It explores narrative and experimental cinema, short, anthology and feature-filmmaking, and offers case studies of North American, Latin American, European, East Asian and Australian filmmakers, films and festivals. With this book we can transform how we think about women filmmakers and genre"--
650		0	_aHorror films _xHistory and criticism.
650		0	_aHorror films _xProduction and direction.
650		0	_aWomen motion picture producers and directors.
650		0	_aWomen in the motion picture industry.
650		0	_aFeminism and motion pictures.
700	1		_aPeirse, Alison, _eeditor.
776	0	8	_iOnline version: _tWomen make horror _dNew Brunswick : Rutgers University Press, 2020. _z9781978805132 _w(DLC) 2020004482
942			_2fc _cNFIC
999			_c10086 _d10086